Stanley Mouse
(Appeared May 9th, 2007)

The acclaimed
artist Stanley Mouse will be appearing at Sausalito Art Walk.
He will be actively creating at the event and joining in
the bohemian spirit of the event, as well as lending his
support to local artists in the Bay Area.
MUSIC IS MORE THAN SOUND.
IT IS FEELINGS, MEMORIES, IDEAS AND IMAGES. AND, NO ONE PUT
A "FACE
ON ROCK MUSIC" BETTER THAN STANLEY MOUSE. WORLD FAMOUS FOR HIS
POSTERS AND ALBUM COVER ART, STANLEY IS SPECIFICALLY RESPONSIBLE
FOR DEFINING THE "LOOK" OF SOME OF THE MOST FAMOUS BANDS IN ROCK
AND ROLL HISTORY, SUCH AS THE BEATLES, ERIC CLAPTON, JANIS JOPLIN,
LED ZEPPELIN, JIMI HENDRIX, JOURNEY, THE STEVE MILLER BAND, AND
OF COURSE, THE GRATEFUL DEAD. RECOGNIZED AS ONE OF THE "BIG FIVE" AMERICAN
POSTER ARTISTS, STANLEY'S ARTWORK HAS BEEN INSTRUMENTAL IN
TRANSFORMING ART AND DESIGN IN MYRIAD AND INCALCULABLE WAYS.
STANLEY MOUSE GREW UP IN DETROIT
AND WAS, PREDICTABLY, A CAR "NUT". HIS EARLY ENDEAVORS IN ART INCLUDED A CLANDESTINE
PAINTING OF THE LOCAL TEEN HANGOUT WHICH EARNED HIM A QUICK EXIT
FROM HIGH SCHOOL AND THE DECISION TO TURN TO ART TRAINING FULL
TIME. DURING HIS FORMATIVE ART SCHOOL YEARS HE BEGAN A LUCRATIVE
T-SHIRT PAINTING BUSINESS RELATED TO THE HOT ROD AND CUSTOM CAR
INDUSTRY CENTERED IN CALIFORNIA. HE DREW HIS INSPIRATIONS FROM
SUCH INDUSTRY ICONS AS GEORGE BARRIS, "BIG DADDY" ROTH, RICK
GRIFFIN (CREATOR OF MURPH THE SURF) AND OTHERS. WITH THE HELP
OF HIS FAMILY HE ESTABLISHED HIMSELF AT CAR SHOWS AND STATE
FAIRS AND PROSPERED ALMOST IMMEDIATELY.
IT WAS WHILE PAINTING T-SHIRTS
AT MICHIGAN FAIR THAT STANLEY FIRST TURNED FROM CREATING "MONSTER CAR" SHIRTS
TO IMAGES INSPIRED BY SUCH POP ACTS OF THE TIMES AS SMOKEY ROBINSON,
THE TEMPTATIONS, THE SUPREMES, THE FOUR TOPS, MARVIN GAYE AND
OTHER MOTOWN ACTS. HIS LIFELONG INTEREST IN RHYTHM AND BLUES
MUSIC EXPLODED INTO THE CREATION OF MUSIC IMAGES UNLIKE ANY OF
THAT HAD BEEN SEEN BEFORE.
IN THE EARLY 60'S THE LURE OF THE CALIFORNIA CULTURE
CALLED AND STANLEY LANDED IN SAN FRANCISCO WHERE HE WAS IMMEDIATELY
DRAWN TO THE EXCITEMENT AND ENERGY OF THE HAIGHT-ASHBURY SCENE.
IMMERSED IN THE CULTURE AND MUSIC OF THE TIMES, STANLEY AND HIS
COLLABORATOR ALTON KELLEY WERE COMMISSIONED TO CREATE MANY OF THE
NOW CLASSIC POSTERS FOR THE AVALON BALLROOM AND FILLMORE AUDITORIUM.
SINCE THIS WAS AN ERA BEFORE FM FREE FORM RADIO AND NEWSPAPER ADVERTISING
OF ROCK DANCES, THESE POSTERS BECAME THE VEHICLE BY WHICH THE PHENOMENON
OF ROCK CONCERT/DANCES GREW.
HIS ASSOCIATION WITH BILL GRAHAM AND CHET HELMS
OF THE FILLMORE AND AVALON RESPECTIVELY LED MOUSE AND KELLEY TO
NEW AREAS OF ARTISTIC EFFORT AND SUCCESS. ONE OF THEIR BIG BREAKTHROUGHS
CAME WITH THE CREATION OF POSTER IMAGES FOR BIG BROTHER AND THE
HOLDING COMPANY, WHICH EVENTUALLY BECAME THE JANIS JOPLIN SHOW.
MOUSE'S WORK, UTILIZING MANY ASPECTS OF ART NOUVEAU STYLE AND THE
INFLUENCE OF ALPHONSE MUCHA'S DISTINCTIVE DECORATIVE INVENTION
AND SENSUOUS BEAUTY, REDEFINED THE ART OF POSTER. HE BECAME A MASTER
OF POWERFUL YET PLAYFUL POSTER IMAGES.
MOUSE'S MOST FAMOUS WORK CAME FROM HIS PARTNERSHIP
WITH KELLEY IN CREATING IMAGES ASSOCIATED WITH THE GRATEFUL DEAD,
THE MOST SUCCESSFUL TOURING BAND EVER KNOWN. THEY INITIALLY PAID
$50 TO PAINT THE POSTERS TO PROMOTE THE GROUP AT THE FILLMORE BUT
BECAME, IN MANY WAYS, AS FAMOUS AS THE BAND THEY PROMOTED. THEIR
COLLABORATION RESULTED IN THOUSANDS OF IMAGES INCLUDING THE TRADEMARK
SKULL AND ROSES ICON WHICH WAS DESIGNED BASED ON AN EDMUND SULLIVAN
ILLUSTRATION OF THE RUBAIYAT OF OMAR KHAYYAM.
THE PAIR ALSO FOUNDED MONSTER
COMPANY, THE FIRST TO PRODUCE T-SHIRTS USING FOUR-COLOR PROCESS
PRINTING TO CREATE A NEW INDUSTRY-WEARABLE ART. AMONG THEIR FIRST
SHIRTS WERE GRATEFUL DEAD IMAGES THAT SOLD QUICKLY TO AN ALREADY
ESTABLISHED MARKET OF "DEAD HEADS". THEIR DESIGNS HAVE BECOME
CLASSICS WITH A TIMELESS APPEAL FOR ALL GENERATIONS.
BY THE EARLY 80'S MOUSE HAD DECIDED TO EXPLORE
HIS FINE ART IN NEW MEXICO, BUT THE GRATEFUL DEAD FAME FOLLOWED
HIM. THE PUBLIC CONTINUED TO CLAMOR FOR MORE MOUSE IMAGES OF THE
BAND AND THEIR MUSIC. ULTIMATELY HE RETURNED TO SAN FRANCISCO TO
CONTINUE HIS ASSOCIATION WITH ROCK MUSIC AND ITS VISUAL LEGACY.
For
more about Stanley, visit his web site:
www.mousestudios.com
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